Thursday, December 20, 2012


(L-R Blake Hammond, Pippa Pearthree, Tom Corbeil, Douglas Sills, Santa Claus, Sara Gettelfinger, Courtney Wolfson and Patrick D. Kennedy)

The Addams Family, that is. Santa made a quick dash from South Coast Plaza last night minutes before the curtain went up on The Addams Family in Segerstrom Hall. The Addams Family is in town through December 30 at Segerstrom Center.

 Photo: Doug GIfford

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Wednesday, December 12, 2012

Teatro ZinZanni: Love, Chaos and Shopping!

The date was 12:12:12 from 12:30 – 1 p.m. – the cast of Teatro ZinZanni swept into South Coast Plaza for an impromptu performance beneath the towering Christmas tree in Jewel Court. TZ stars juggled, sang, danced and vamped before a mesmerized crowd. The usual three-hour performance also includes an equally amazing five-course meal from Patina Catering. But this was just a snippet of what audiences can expect during the full length performance of Love, Chaos and Dinner being performed by Teatro ZinZanni at Segerstrom Center for the Arts through February 17.

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Thursday, December 6, 2012

Center Jazz Series Artists in Grammy Race

Pat Metheny © Jimmy Katz
Ahmad Jamal
Two performers from this year's Jazz Series have been nominated for Grammy® Awards in the Best Jazz Instrumental Album category. Pat Metheny, who received a nomination for Unity, performed in Segerstrom Hall on September 28. Ahmad Jamal, up for his Blue Moon album, performed in the Renée and Henry Segerstrom Concert Hall on November 24. 

Other artists nominated this year who have also appeared in the Center's Jazz Series include Chick Corea, Brad Mehldau, Kurt Elling, Esperanza Spalding and Arturo Sandoval.

Upcoming performances in the series include Ninety Miles, with Stefon Harris, Nicholas Payton, David Sánchez, Edward Simon, Luques Curtis, Henry Cole and Maracio Herera on December 14 and 15 and Monterey Jazz Festival 55th Anniversary Concert, featuring Dee Dee Bridgewater, Christian McBride, Ambrose Akinmusire, Chris Potter, Benny Green and Lewis Nash. 

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Wednesday, December 5, 2012

Remembering Jazz Great Dave Brubeck

For one of Dave Brubeck’s visits with us, we decided on a more intimate series of evenings with him and the quartet in Founders Hall with the stage against one wall and the audience seated around on the other three. The opening night of the run was scheduled for Thursday September 13, 2001.

Mr. Brubeck’s representative was in contact with me late in the day on September 11 looking to cancel and reschedule the concert to a later time. Dave was in Stockton, the quartet was in the New York area, and all air traffic grounded for the next several days. I said that in times of tragedy and great sadness, music brings comfort and solace. He conveyed my message to Brubeck and his response was immediate. He and Iola started the drive down to Costa Mesa, and on the way on his cell phone, put together Bob Hurst on bass, Danny Brubeck on drums and Andy Suzuki on sax. They arrived the afternoon of the 13th, rehearsed for a time, and retired to their hotel.
At 7 p.m., the doors to Founders Hall opened, and the audience began to take their seats. Normally, the house would have been buzzing with excitement, having the chance to experience Brubeck and the group up close. But the capacity house was mostly quiet with subdued conversations, almost like church before the service begins.

Brubeck came out by himself. The audience was delighted to see him, greeted him with warm and extended applause, relieved to enter into the ritual and structure of a live concert. Out of the quiet, he began to slowly form the music, the old spiritual “Nobody Knows the Trouble I’ve Seen.” He played the melody line simply, with spare harmonic support in the left hand. At the end, the audience held their applause for a long while before rising to their feet in sincere appreciation.  With this one song, he had given expression to all our emotions with dignity and with the art of a master musician.
Danny, Bob and Andy then joined him for the next 90 minutes in a joyful, life-affirming set. We were all the better for it.

by Aaron Egigian, Senior Director of Music Programming at Segerstrom Center for the Arts
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