Jake writes:
The acclaimed German ensemble, the Mandelring Quartet made its Center debut at the Samueli Theater February 24. I am by no means a classical music aficionado, but this performance by the Mandelring enthralled me. I was hypnotized by the choreography of their bows, and was blown away by the personality these players were able to expose from the musical scores.
LA Times music critic, Herbert Glass, discussed in his preview talk how the program followed the heritage of Beethoven’s string quartets on later composers and the beginnings of dissonance. The night opened with Mendelssohn’s String Quartet in A minor, Op. 13, a lyrical and romantic composition, which transported me to the German countryside. The Quartet then played the more contemporary work, String Quartet No. 5, Sz. 102 by Bartok. This piece was composed in 1934, during the onset of WWII, and a haunting tension could be felt throughout the work. The piece was extremely avant garde for its time and sounded more akin to a work of the 20th century verse the '30s. The program ended with Mozart’s String Quartet in C major, K. 465 (“Dissonant”), a revolutionary score that was the first to have the famous dissonance sequence at the beginning of the work.
The Quartet was called back three times for bows, and for an encore performance. The short encore piece, whose name I did not catch, was by Shostakovich. The piece was well received and left most the audience laughing at the score’s comedic tones.
This evening was an inspiring and enjoyable night, a perfect way to end a long week. I look forward to the future concerts planned at the Center this season, and I will definitely be back for more. Information on the Center’s upcoming concert series can be found on the website.
The acclaimed German ensemble, the Mandelring Quartet made its Center debut at the Samueli Theater February 24. I am by no means a classical music aficionado, but this performance by the Mandelring enthralled me. I was hypnotized by the choreography of their bows, and was blown away by the personality these players were able to expose from the musical scores.
LA Times music critic, Herbert Glass, discussed in his preview talk how the program followed the heritage of Beethoven’s string quartets on later composers and the beginnings of dissonance. The night opened with Mendelssohn’s String Quartet in A minor, Op. 13, a lyrical and romantic composition, which transported me to the German countryside. The Quartet then played the more contemporary work, String Quartet No. 5, Sz. 102 by Bartok. This piece was composed in 1934, during the onset of WWII, and a haunting tension could be felt throughout the work. The piece was extremely avant garde for its time and sounded more akin to a work of the 20th century verse the '30s. The program ended with Mozart’s String Quartet in C major, K. 465 (“Dissonant”), a revolutionary score that was the first to have the famous dissonance sequence at the beginning of the work.
The Quartet was called back three times for bows, and for an encore performance. The short encore piece, whose name I did not catch, was by Shostakovich. The piece was well received and left most the audience laughing at the score’s comedic tones.
This evening was an inspiring and enjoyable night, a perfect way to end a long week. I look forward to the future concerts planned at the Center this season, and I will definitely be back for more. Information on the Center’s upcoming concert series can be found on the website.
3 comments:
I'm bummed I missed it! Sounds like I need to come to the next performance! Well written review :)
Wow, what an informative review! Can't wait to hear more of your thoughts!
Definitely a wonderful concert! And a great review! I plan to make more trips to the Samueli and hear more great music!
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